Video editing, colour and post production in Grand Cayman
Already have the footage? Story edit, grade, mix and delivery, in whatever format you need it.
Post on its own
Plenty of people have a drive full of material and no finished film. Sometimes it was shot in house, sometimes by a crew who has moved on, sometimes over years.
We take rushes and deliver a cut. Story edit, colour grade in DaVinci Resolve, sound mix, titles and graphics, versioned and exported to whatever spec you are delivering to.
The person who shot it is the person who cuts it
On our own work there is no handover. Whoever was on the shoot does the edit and the grade, so nothing has to be explained to somebody who was not there, and nothing sits in a queue behind another job.
That is usually a speed argument and occasionally a rescue. A launch film that had to be delivered two days before the doors opened had nobody to hand it to and nobody to wait on, which is the only reason the date held.
Matching a series
Every episode should look like it belongs to the same show. That is harder than it sounds once material has been shot months apart, in different light, sometimes by different people.
The way through it is to settle the look once and then execute it. One grade, one interview setup, one set of titles, applied across the run rather than reinvented every time. The time that saves goes back into the shoot, which is the only place it shows.
Questions we get asked
- What formats do you work with?
- Most things. Send us a sample clip and the camera it came off and we will confirm before you ship a drive.
- Can you grade footage we shot ourselves?
- Yes. Grading someone else's material is normal work, though we will tell you if the footage has been baked in a way that limits what a grade can do.
- Do we get the project files?
- If you want them, yes, and that can be agreed at the quote stage rather than negotiated afterwards.
